Miles Davis: Sketches Of Spain versione su vinile LP in standard edizione. Questa particolare edizione è stata pubblicata in Europa nella casa editrice Columbia in collaborazione con Legacy e Sony Music in data 23. ottobre 2015.

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by actress Beverly Bentley and a concert Frances Taylor took him to. The result was majestic music in which Gil Evans bypassed the kitschiness of Rodrigo's original score and held his own with the help of Miles' formidable trumpet. In addition to the Adagio from Concierto, Gil Evans borrowed Manuel de Falla's "Will O' The Wisp" and adapted "The Pan Piper" from an aria for pan flute that Lomax had recorded in Galicia, and "Saeta" from a ritual chant of the same name that was sung to the accompaniment of the brass bands accompanying the processions in Seville during Holy Week. In this last piece and in "Solea," Miles draws on the glow of flamenco singing while departing from all traces of folklore. Original release: Columbia LP CS 8271, July 18, 1960 Producers: Teo Macero and Irving Townsend (tracks 1, 7, and 8), Teo Macero (tracks 2-6):Engineer: Fred Plaut November 20, 1959 (a) Miles Davis (tpt.) flh); Ernie Royal (tpt.); Bernie Glow (tpt.); Taft Jordan (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); John Barrows (frh.); Earl Chapin (frh.); Jimmy McAllister (tuba.); Al Block (fl); Eddie Caine (fl); Romeo Penque (oboe); Harold Feldman (oboe, cl); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 10. March 1960 (b) Miles Davis (tpt.); Ernie Royal (tpt.); Bernie Glow (tpt.); Johnny Coles (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); Joe Singer (frh.); Tony Miranda (frh.).); Bill Barber (tuba); Al Block (fl); Harold Feldman (fl); Danny Bank (bcl); Romeo Penque (oboe); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 15. November 1959 (c) staff similar to (b) - exact dates unknown All tracks were recorded at Columbia 30th Street Studio, NYC.

Album comprende generi Jazz, Jazz contemporaneo e Modal. 180g Vinyl.

Miles Davis: Sketches Of Spain versione su vinile LP in rimasterizzati edizione. Questa particolare edizione è stata pubblicata in Europa nella casa editrice Columbia in collaborazione con Music On Vinyl in data 12. febbraio 2013.

"Sketches Of Spain" is one of Miles Davis's most melodic compositions, and thus proved to be one of the most accessible and less improvised, breaking away from strict notions of jazz. It is one of four albums on which Davis and Gil Evans collaborated with a small orchestra of horns and percussion. "Sketches Of Spain" is in the spirit of Spanish melodies - Joaquín Rodrigo's "El Concierto de Arajuez" and Manuel de Falla's "El Amor Brujo" - that fascinated Davis so much that he had to tap into them, while Evans paints a musical picture of a country he had never been to. Davis himself says, "It's music, and I like it."

Album comprende generi Jazz, Jazz contemporaneo e Modal. 180g Vinyl.

Miles Davis: Sketches Of Spain versione su vinile LP in standard edizione. Questa particolare edizione è stata pubblicata in Europa nella casa editrice CBS.

Miles Davis' Sketches of Spain, released in 1960, is the epitome of the jazz trumpeter's talent. Inspired by Spanish classical composer Manuel de Falla, Davis has created a masterpiece that is both captivating and beautiful. The album's opening track, "Concierto de Aranjuez," is a perfect example of Davis' ability to blend classical and jazz influences into one. The piece is lush and romantic, with Davis' trumpet soaring above the orchestra. Other album highlights include the ballad "Solea" and the spirited "Flamenco Sketches." The album "Sketches of Spain" is a must-listen for every fan of jazz and classical music.

Album comprende generi Jazz, Jazz contemporaneo e Modal.

Miles Davis: Sketches Of Spain versione su vinile LP in standard edizione. Questa particolare edizione è stata pubblicata in Europa nella casa editrice Jazz Wax Records in data 23. febbraio 2024.

Miles Davis' Sketches of Spain, released in 1960, is the epitome of the jazz trumpeter's talent. Inspired by Spanish classical composer Manuel de Falla, Davis has created a masterpiece that is both captivating and beautiful. The album's opening track, "Concierto de Aranjuez," is a perfect example of Davis' ability to blend classical and jazz influences into one. The piece is lush and romantic, with Davis' trumpet soaring above the orchestra. Other album highlights include the ballad "Solea" and the spirited "Flamenco Sketches." The album "Sketches of Spain" is a must-listen for every fan of jazz and classical music.

Album comprende generi Jazz, Jazz contemporaneo e Modal.

Miles Davis: Sketches Of Spain versione su vinile LP in standard edizione. Questa particolare edizione è stata pubblicata in Stati Uniti nella casa editrice Columbia in data 23. novembre 2012.

Miles Davis' Sketches of Spain, released in 1960, is the epitome of the jazz trumpeter's talent. Inspired by Spanish classical composer Manuel de Falla, Davis has created a masterpiece that is both captivating and beautiful. The album's opening track, "Concierto de Aranjuez," is a perfect example of Davis' ability to blend classical and jazz influences into one. The piece is lush and romantic, with Davis' trumpet soaring above the orchestra. Other album highlights include the ballad "Solea" and the spirited "Flamenco Sketches." The album "Sketches of Spain" is a must-listen for every fan of jazz and classical music.

Album comprende generi Jazz, Jazz contemporaneo e Modal. Mono 180g Vinyl.

Miles Davis: Sketches Of Spain versione su vinile LP in standard edizione. Questa particolare edizione è stata pubblicata in Europa nella casa editrice Ermitage in data 29. marzo 2022.

Miles Davis' Sketches of Spain, released in 1960, is the epitome of the jazz trumpeter's talent. Inspired by Spanish classical composer Manuel de Falla, Davis has created a masterpiece that is both captivating and beautiful. The album's opening track, "Concierto de Aranjuez," is a perfect example of Davis' ability to blend classical and jazz influences into one. The piece is lush and romantic, with Davis' trumpet soaring above the orchestra. Other album highlights include the ballad "Solea" and the spirited "Flamenco Sketches." The album "Sketches of Spain" is a must-listen for every fan of jazz and classical music.

Album comprende generi Jazz, Jazz contemporaneo e Modal.

Miles Davis: Sketches Of Spain versione su vinile LP in rimasterizzati edizione. Questa particolare edizione è stata pubblicata in REGNO UNITO nella casa editrice Not Now Music in data 21. febbraio 2011.

Miles Davis' Sketches of Spain, released in 1960, is the epitome of the jazz trumpeter's talent. Inspired by Spanish classical composer Manuel de Falla, Davis has created a masterpiece that is both captivating and beautiful. The album's opening track, "Concierto de Aranjuez," is a perfect example of Davis' ability to blend classical and jazz influences into one. The piece is lush and romantic, with Davis' trumpet soaring above the orchestra. Other album highlights include the ballad "Solea" and the spirited "Flamenco Sketches." The album "Sketches of Spain" is a must-listen for every fan of jazz and classical music.

Album comprende generi Jazz, Jazz contemporaneo e Modal. 180g 180gr. Vinyl.

Miles Davis: Sketches Of Spain (special Edition) (yellow Vinyl) versione su vinile LP in standard edizione. Questa particolare edizione è stata pubblicata in Europa in data 4. settembre 2024.

Miles Davis' Sketches of Spain, released in 1960, is the epitome of the jazz trumpeter's talent. Inspired by Spanish classical composer Manuel de Falla, Davis has created a masterpiece that is both captivating and beautiful. The album's opening track, "Concierto de Aranjuez," is a perfect example of Davis' ability to blend classical and jazz influences into one. The piece is lush and romantic, with Davis' trumpet soaring above the orchestra. Other album highlights include the ballad "Solea" and the spirited "Flamenco Sketches." The album "Sketches of Spain" is a must-listen for every fan of jazz and classical music.

Album comprende generi Jazz, Jazz contemporaneo e Modal.

Miles Davis: Sketches Of Spain versione su CD in rimasterizzati edizione. Questa particolare edizione è stata pubblicata in Europa nella casa editrice Columbia in collaborazione con Legacy in data 11. ottobre 1997.

George Avakian, který pod vedením etnomuzikologa Alana Lomaxe vedl v Kolumbii cyklus etnické hudby, si přál, aby Gil Evans pracoval zejména s flamenkem, protože si vážil španělských skladatelů. Miles sám objevil "Concierto De Aranjuez" Joaquina Rodriga a flamenco ve stejné době - díky antologii, kterou ze Španělska přivezla herečka Beverly Bentleyová, a koncertu, na který ho vzala Frances Taylorová.

Výsledkem byla majestátní hudba, v níž Gil Evans obešel kýčovitost Rodrigovy původní partitury a s pomocí Milesovy impozantní trubky si držel svou vlastní. Vedle Adagia z "Concierta" si Gil Evans vypůjčil "Will O' The Wisp" Manuela de Fally a upravil "The Pan Piper" z árie dud, kterou Lomax nahrál v Galicii, a "Saeta" ze stejnojmenného rituálního zpěvu, který se zpíval za doprovodu dechových kapel doprovázejících procesí v Seville během Svatého týdne. V této poslední skladbě a v "Solea" Miles čerpal z vroucnosti flamenkového zpěvu a zároveň se distancoval od všech stop folklóru.

Původní vydání: Columbia LP CS 8271 z 18. července 1960
Výrobci: Columbia LP CS 8271 z 18. července 1960: Teo Macero a Irving Townsend (skladby 1, 7 a 8), Teo Macero (skladby 2-6):Engineer: Fred Plaut

20. listopadu 1959 (a)
Miles Davis (tpt., flh); Ernie Royal (tpt.); Bernie Glow (tpt.); Taft Jordan (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); John Barrows (frh.); Earl Chapin (frh.); Jimmy McAllister (tuba.); Al Block (fl); Eddie Caine (fl); Romeo Penque (hoboj); Harold Feldman (hoboj, cl); Jack Knitzer (bssn); Janet Putnam (harfa); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond)

10. Březen 1960 (b)
Miles Davis (tpt.); Ernie Royal (tpt.); Bernie Glow (tpt.); Johnny Coles (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); Joe Singer (frh.); Tony Miranda (frh.).); Bill Barber (tuba); Al Block (fl); Harold Feldman (fl); Danny Bank (bcl); Romeo Penque (hoboj); Jack Knitzer (bssn); Janet Putnam (harfa); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perkuse); José Manguel (perkuse); Gil Evans (arr, cond)

15. November 1959 (c)
Personal similar (b) - přesné údaje nejsou známy

Všechny skladby nahrány v Columbia 30th Street Studio, NYC

Jazzová klasika vydána znovu včetně bonusové skladby.

Miles Davis během své kariéry třikrát spolupracoval s aranžérem Gilem Evansem. Po písních Miles Ahead a Porgy and Bess vytvořili skladbu Sketches of Spain, která byla vrcholem kariéry obou. Album kombinuje španělská témata, svěží orchestrace, romantické barvy a Davisovu stále lyričtější hru a působí i po pěti desetiletích od svého prvního vydání. Vedle Kind of Blue, In a Silent Way a Round About Midnight patří Sketches of Spain k nejinovativnějším a nejtrvalejším albům Milese Davise.

Vinylová LP deska o hmotnosti 180 g byla remasterována z původních master pásů Kriegem Wunderlichem a Shawnem R. Brittonem a v limitované edici je opatřena podrobnými poznámkami na obalu a pořadovým číslem.

Album comprende generi Jazz, Jazz contemporaneo e Modal. 8 Tracks.

Miles Davis: Sketches Of Spain versione su SACD in standard edizione. Questa particolare edizione è stata pubblicata in Stati Uniti nella casa editrice Mobile Fidelity Sound Lab in data 26. marzo 2013.

Miles Davis' Sketches of Spain, released in 1960, is the epitome of the jazz trumpeter's talent. Inspired by Spanish classical composer Manuel de Falla, Davis has created a masterpiece that is both captivating and beautiful. The album's opening track, "Concierto de Aranjuez," is a perfect example of Davis' ability to blend classical and jazz influences into one. The piece is lush and romantic, with Davis' trumpet soaring above the orchestra. Other album highlights include the ballad "Solea" and the spirited "Flamenco Sketches." The album "Sketches of Spain" is a must-listen for every fan of jazz and classical music.

Album comprende generi Jazz, Jazz contemporaneo e Modal.

Miles Davis: Sketches Of Spain versione su CD in standard edizione. Questa particolare edizione è stata pubblicata in Europa nella casa editrice Poll Winners Records in data 22. dicembre 2011.

Miles Davis' Sketches of Spain, released in 1960, is the epitome of the jazz trumpeter's talent. Inspired by Spanish classical composer Manuel de Falla, Davis has created a masterpiece that is both captivating and beautiful. The album's opening track, "Concierto de Aranjuez," is a perfect example of Davis' ability to blend classical and jazz influences into one. The piece is lush and romantic, with Davis' trumpet soaring above the orchestra. Other album highlights include the ballad "Solea" and the spirited "Flamenco Sketches." The album "Sketches of Spain" is a must-listen for every fan of jazz and classical music.

Album comprende generi Jazz, Jazz contemporaneo e Modal. Poll Winners Edition.

Miles Davis: Sketches of Spain versione su CD in standard edizione. Questa particolare edizione è stata pubblicata in Stati Uniti nella casa editrice Hallmark Music & Entertainment in data 24. giugno 2016.

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by actress Beverly Bentley and a concert Frances Taylor took him to. The result was majestic music in which Gil Evans bypassed the kitschiness of Rodrigo's original score and held his own with the help of Miles' formidable trumpet. In addition to the Adagio from Concierto, Gil Evans borrowed Manuel de Falla's "Will O' The Wisp" and adapted "The Pan Piper" from an aria for pan flute that Lomax had recorded in Galicia, and "Saeta" from a ritual chant of the same name that was sung to the accompaniment of the brass bands accompanying the processions in Seville during Holy Week. In this last piece and in "Solea," Miles draws on the glow of flamenco singing while departing from all traces of folklore. Original release: Columbia LP CS 8271, July 18, 1960 Producers: Teo Macero and Irving Townsend (tracks 1, 7, and 8), Teo Macero (tracks 2-6):Engineer: Fred Plaut November 20, 1959 (a) Miles Davis (tpt.) flh); Ernie Royal (tpt.); Bernie Glow (tpt.); Taft Jordan (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); John Barrows (frh.); Earl Chapin (frh.); Jimmy McAllister (tuba.); Al Block (fl); Eddie Caine (fl); Romeo Penque (oboe); Harold Feldman (oboe, cl); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 10. March 1960 (b) Miles Davis (tpt.); Ernie Royal (tpt.); Bernie Glow (tpt.); Johnny Coles (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); Joe Singer (frh.); Tony Miranda (frh.).); Bill Barber (tuba); Al Block (fl); Harold Feldman (fl); Danny Bank (bcl); Romeo Penque (oboe); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 15. November 1959 (c) staff similar to (b) - exact dates unknown All tracks were recorded at Columbia 30th Street Studio, NYC.

Album comprende generi Jazz, Jazz contemporaneo e Modal. 5 Tracks.

Miles Davis: Sketches Of Spain versione su 2CD in rimasterizzati edizione. Questa particolare edizione è stata pubblicata in Europa nella casa editrice Not Now Music in data 7. gennaio 2011.

George Avakian, who led a series on ethnic music in Colombia under the guidance of ethnomusicologist Alan Lomax, wanted Gil Evans to work mainly with flamenco because he respected Spanish composers. Miles himself discovered Joaquin Rodrigo's "Concierto de Aranjuez" and flamenco at the same time - thanks to an anthology brought back from Spain by actress Beverly Bentley and a concert Frances Taylor took him to. The result was majestic music in which Gil Evans bypassed the kitschiness of Rodrigo's original score and held his own with the help of Miles' formidable trumpet. In addition to the Adagio from Concierto, Gil Evans borrowed Manuel de Falla's "Will O' The Wisp" and adapted "The Pan Piper" from an aria for pan flute that Lomax had recorded in Galicia, and "Saeta" from a ritual chant of the same name that was sung to the accompaniment of the brass bands accompanying the processions in Seville during Holy Week. In this last piece and in "Solea," Miles draws on the glow of flamenco singing while departing from all traces of folklore. Original release: Columbia LP CS 8271, July 18, 1960 Producers: Teo Macero and Irving Townsend (tracks 1, 7, and 8), Teo Macero (tracks 2-6):Engineer: Fred Plaut November 20, 1959 (a) Miles Davis (tpt.) flh); Ernie Royal (tpt.); Bernie Glow (tpt.); Taft Jordan (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); John Barrows (frh.); Earl Chapin (frh.); Jimmy McAllister (tuba.); Al Block (fl); Eddie Caine (fl); Romeo Penque (oboe); Harold Feldman (oboe, cl); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 10. March 1960 (b) Miles Davis (tpt.); Ernie Royal (tpt.); Bernie Glow (tpt.); Johnny Coles (tpt.); Louis Mucci (tpt.); Dick Hixon (tb.); Frank Rehak (tb.); Jimmy Buffington (frh.); Joe Singer (frh.); Tony Miranda (frh.).); Bill Barber (tuba); Al Block (fl); Harold Feldman (fl); Danny Bank (bcl); Romeo Penque (oboe); Jack Knitzer (bssn); Janet Putnam (harp); Paul Chambers (b); Jimmy Cobb (d); Elvin Jones (perc); José Manguel (perc); Gil Evans (arr, cond) 15. November 1959 (c) staff similar to (b) - exact dates unknown All tracks were recorded at Columbia 30th Street Studio, NYC.

Album comprende generi Jazz, Jazz contemporaneo e Modal.