Given the repertoire mentioned, such as "Contrapunctus XVIII" from Johann Sebastian Bach's "The Art of Fugue" and Beethoven's late string quartets like Op. 131 and Op. 135, it is clear that the ensemble focuses on classical and early romantic repertoire, which requires a deep understanding of the stylistic and technical demands of this period. The inclusion of Robert Schumann's String Quartets Op. 41 suggests a broa
... Per saperne di più Given the repertoire mentioned, such as "Contrapunctus XVIII" from Johann Sebastian Bach's "The Art of Fugue" and Beethoven's late string quartets like Op. 131 and Op. 135, it is clear that the ensemble focuses on classical and early romantic repertoire, which requires a deep understanding of the stylistic and technical demands of this period. The inclusion of Robert Schumann's String Quartets Op. 41 suggests a broader interest in the romantic chamber music literature. String quartets that perform these works typically consist of two violinists, a violist, and a cellist, and they often engage in intensive study and rehearsal to master the complexities of these compositions.
Meno